Vermont Governor Peter Shumlin, Senator Pat Leahy, Lt. Gov. Phil Scott, Representative Peter Welch, and Senator Bernie Sanders, at Chandler Center for the Arts in Randolph, Vermont (August 28, 2012) |
It had been a
freakishly strong storm: one that made it rain for hours, turning ditches to
creeks and streams into rivers, scooping up structures and vehicles, carrying
possessions into the Connecticut and the sea beyond. Governor Peter Shumlin
praised the rapid relief effort and its dedicated volunteers: “we are a tale of
two states,” he described, in that those who have been able to get on with our
lives, and still clearly those who continue to anticipate and wait. The
Governor urged his people to “remain generous,” attributing any progress so far
as being due to the work of “extraordinary volunteers.” Announcing 3.6 million
dollars had been raised, towards a 10 million dollar goal, Shumlin advocated
citizens purchase the limited edition “I Am Vermont Strong” license plates, to
help contribute: “we will use the spirit and the goodness […] to insure we
leave nobody behind who got whacked by Irene.”
"America's Senator" Bernie Sanders speaks with Representative Peter Welch |
Jeffrey Domoto
directed the Vermont Youth Orchestra through a dissonant rendition of Samuel
Barber’s unnerving and pensive Adagio for
Strings, followed by Mozart’s Ave
Verum Corpus: the tension in the first work was modern and appropriate, as
ascending lines of counterpoint grew, and gave rise to a feeling not unlike a
mudslide, or heap of broken blue Styrofoam insulation, one of my memories, as
this debris served as the longtime high water mark of the flood that followed
the storm. The few final strands of Barber’s work famously feature a lone
violin, sounding the root note of the unsettled chord. The young man at work in
the important First Chair, First Violin trembled; the fingers of the entire
ensemble wavered at times, seeking to accomplish the tremolo intended by the
composer. One’s experience amongst this music seemed as fragile as a streambed,
ever risking disintegration and collapse. Mozart’s illustrious segment was more
stoic, as the stands of telephone polls installed by a crew from a faraway
land. A boy—he could not have been older than fifteen—bowed away at the double
bass, singing as well as playing the bassline. Later in the program, Shyla
Nelson, a soprano whose remarkable natural yet unsettling vibrato reminded me
of the violins, sang “Amazing Grace,” following a moment of silence, honoring
the six Vermonters who lost their lives in the disaster (Nelson is currently
working on a massive, synchronous, global event of singing, to take place on
the Winter Solstice). Longtime Vermont performer and songwriter Jon Gailmor
appeared late in the program: whether one is musically inclined or not, one
could not help but appreciate Gailmor’s earnest and heartfelt efforts. He
performed a new song about the tenacity of our statewide community, “A Year
Later,” acapella and without a microphone; on an acoustic guitar, he
accompanied himself through a song of tribute to Vermont, “Long Ago Lady.”
Gailmor is one of the state’s finest musicians, not necessarily for his technical
ability but because his aim is obvious—communication with those before him, be
them children or adults, an action he described as a “sublime and indescribable
honor” to accomplish at this event. The program ended with Diane B. Martin,
co-author of the Vermont State Song, belting it out from center stage, and
across “These Green Mountains.”
Peter Shumlin
appeared to be the event’s de facto emcee,
introducing the Congressional Delegation. Pat Leahy admitted to chasing down
members of Congress, to lobby for and secure federal disaster relief funding following
Tropical Storm Irene. There have been generations of Leahys in Vermont, he told
the crowd, “and I wasn’t going to be the one who let it fall apart.” Bernie Sanders
characterized 8/28/12 as a “day to […] give thanks for the extraordinary
efforts,” and to commemorate moments now entrenched in our collective memory
and history as times when “people who were not hurting [were] helping those
that were.” What has, and will continue to ensure the success of Vermont, is
the “human resillency and human spirit” available to us all: “if we focus we
can, in fact, prevail.” Congressman Peter Welch heartily congratulated
“Chandler Music Hall” on its recent renovation, praised the Vermont Youth
Symphony Orchestra for their accomplishments, before admitting that “none of us
know why that [the flooding] happened.” “Will we have the character to remember,”
Welch asked, the goodness of our efforts? Perhaps most provoking
were the comments of Lt. Governor Phil Scott, who likened August 28, 2011 to
the events of September 11, 2001, as both events “proved our strength and
inspired our people.”
The legacy of a
tragedy has come to necessitate commemoration, and has helped define the
importance of the action of gathering together: I would have been interested to
know what towns were represented, within the audience; I would have applauded
loudly any member of the audience who had been physically displaced by the
flood. I was, however, proud to live in this small and beautiful state, ripe
with the tenacious and the empathetic. Irene Recovery Officer Sue Minter: “Vermont
is a state where love abounds.”
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