This Personal
Environmental Narrative was produced in Andrea Scarpino's seminar on the humanities, in Union Institute and University's Ph.D. in Interdisciplinary Studies program, during the spring 2011 semester.
I
bought my first copy of Led Zeppelin’s untitled fourth album at a yard sale in
my Pennsylvania hometown; I was fifteen years old. As I listened to “Black
Dog,” “Going to California,” and “Stairway to Heaven” among other anthems of
teenage rebellion, I marveled as much at the cover as I did at the music: a
photograph of a smiling, bearded English vagrant with patches on his knees and
a derby hat, hunched over in a field, carrying on his back a massive bundle of
sticks. As a child and adolescent, I had never known such circumstances, not
even on camping trips—in the picture, these were likely the vagrant’s firewood
for the night, the result of his day’s work, some collected, stolen treasure of
resources meant to keep himself from freezing. Whether or not the album cover
reflected the blues and hard rock contained therein, I have never forgotten
that hunched vagrant, moving his fuel in daytime, across a field still green.
He is braced for conditions to come; at fifteen, I sought to be similarly
braced, but had never known such high stakes, such hauling and hard work, for
heat.
In
science class we adolescent suburbanites learned of mass and weight,
displacement and conversion, real and potential energy. The last two concepts helped
me understand the sticks on the man’s back: firewood is literally potential
energy, waiting to be released. I knew little of such physical labor, however,
having never been challenged to amass a resource to ensure my own survival. In
my family’s modest suburban home, mysterious metal grates in the walls
connected duct work to each room, and forced air kept out the cold. All we kids
knew of the furnace in the basement was that it burned something expensive and
besides heat, gave off a deep whirring rumble at night.
I have
sought, in my adult life, to develop and redefine my relationship to the
sources of heat that have kept me from freezing; I still want to rely upon a philosophy
of warmth: knowing where the heat of my homes has come from, and how its
production relates not only to my own existence, but how larger economic and
social structures are changed, because of how I choose to keep from getting
cold. Believing “authentic” heat may come from sources less mysterious than the
oil truck I recall as a child, my journeys through Vermont have allowed me
opportunities to experience different systems of home heating. While political
and economic demonization has and may continue to motivate society to discover
and embrace alternative energy sources for home heating, through personal chronological
narrative this essay seeks to establish only my own philosophy of warmth. The
most difficult distinction in my evaluation of heat comes as individual
structures are briefly critiqued for their ability to hold in any source of
heat: favorite blankets aside, this discussion is as much about the places in which I have come out of the
cold as much as it is about the
virtuous, discernable ways in which I keep warm.
Rampant
industrial development began in Delaware County, Pennsylvania shortly after the
Revolutionary War; I am privileged to have grown up in one of the most
industrially-developed regions of the country, a place where factories and big
business have long been the norm. The banks of the Delaware River, long been
relegated to heavy industry, once included large-scale oil refination and
massive shipbuilding facilities to support the import and export of crude oil. One
refinery alone in 1892 covered “some sixty-five acres of ground, with pipe line
supplies requiring forty or fifty acres more, employs two hundred men and uses
one hundred thousand of barrels of crude oil every month” (Garner & Wiley,
p. 250).
My
parents’ parents were the children of immigrants, only the second generation to
inhabit this suburban southeastern corner of the state. My mother’s grandparents
met on a ship coming to America in the early 1920s, Lena Wydra from Lithuania
and Spiridon Karplick from Russia. Within months of settling in suburban Milmont
Park, Spiridon found work at Sun Ship, as a cook on tankards’ long voyages
across oceans; he supported Lena most often from afar. During the Great
Depression, Spiridon fished often from the back of the oil tankard as they
traveled far and wide, bringing back to Lena whatever exotic sea creatures he
caught. After his death in 1956, the sale of Spiridon’s valuable stock in Sun
Oil allowed my grandfather to leave his own position at the refineries, to
start his own career as an electrician.
Lena
died days after I was born; my grandfather’s career as an electrician grew into
a business, riding the continuing wave of suburban development installing
traffic lights. I grew up without direct present-tense familial connection to
the refineries—but also never came to know a truly darkened night sky until I moved
away. Above the complex refinery towers and industrial complexes, an orange
flame burns brightly, the top of a smokestack lit and forever glowing above the
physical din of refineries along the Delaware. Burning off unknown noxious
byproducts of the oil refination process, the light in the sky has always been
a sad economic and environmental presence. In elementary school, we were told
by our teachers to be worried if the
flame ever went out. We repeated rumors and stories of underground caverns
full of oil, with leasing rights owned by Sun (BP); we marveled at the barbed
wire that kept us from climbing the fence and investigating the mysterious tank
farms on the edge of our suburb.
All of
my schools consumed oil for heat; my elementary school was demolished during my
senior year of high school for, among other environmental factors, high levels
of carbon monoxide emitting from the heating system (two other elementary
schools in my school district were repurposed facilities built to accommodate
Nike missiles during the Cold War). After the mechanics of oil refining were
explained to us in science class, we didn’t ask many more questions: many of
our parents worked at the refineries, or at the service industries that
supported them. We understood the difference between gasoline, kerosene,
heating oil and lubricating oil; we could watch the ships dock at the
processing plants, especially when crossing the Commodore Barry Bridge, to New
Jersey. On a family vacation at a former World War II fort that guarded the
entrance to the Delaware Bay, and my hometown
and its industries farther upstream, an old timer and informal park
historian told me: if it wasn’t for the oil that came out of Delaware County,
we would have lost the war, and that if the Axis forces were to attack
anywhere, it would have been up the Delaware Bay. Concrete bunkers were sinking
back into the wide dunes; ships moved across the horizon and became distant
shadows, and might as well have been carrying my great-grandfather.
We
drove home and the vacation ended; winter came and the oil furnace kicked on. My
friends and I spent our nights in high school—those last few years before
everyone dissipates into a new beyond, beneath that familiar orange glow—between
the goalposts at band camp, or outside tying knots at Scout meetings, on parked
on suburban Lover’s Lanes. We came to accept how the glow meant the wheels of
some elusive industry were spinning, in one of the regions of the country where
industry had been spinning the longest.
At
home in winter the thermostat was changed often, trying to conserve oil while
trying to keep ourselves more comfortable. Like any bill, my father complained
about heating costs; for a time, a kerosene heater occupied a reverent place in
the living room. The strange new caged device threw a different heat into the
room, intended for “only on the coldest of nights,” said my father. He bought
the kerosene from a special pump at the gas station, filling a big white
plastic tank with the thick purple-red liquid. All night—at least up until the
moment us kids went to bed-- the round metal contraption held in its core a
small yellow circular flame. For only a time, my family had found a method that
allowed us to turn down the thermostat that controlled the oil furnace.
A
different kind of warmth entered my parents’ house, with the arrival of the
kerosene heater in my childhood: it required work, maintenance, monitoring, the
attainment of fuel. While my father stopped using it when its wick lost its
structure and almost “burned the house down,” I had seen my first evidence of a
heat more authentic than having a truck pump black crude into a tank in a
basement: like a neighbor, whose wood stove smoke curled from their chimney on
the most rare of occasions, we had a chance to participate in what heated our
living room.
Kempton
(1986) identifies two interesting “folk” theories regarding home heating system
thermostats: one “holds that the thermostat senses temperature and turns the
furnace on and off to maintain an even temperature,” while the other “holds
that the thermostat controls the amount of heat… a higher setting causes a
higher rate of flow” (p. 78). My experience in communities, who share the
characteristic of keeping from freezing together, helps me understand how a
“rate of flow” theory works—the heat is available over having to be generated
to keep out falling temperatures. While Kempton dismisses both theories as
prone to “types of operational errors and inefficiencies” (p. 78), my own most
recent experience encourages me to advocate for Kempton’s former theory of
residential thermostats, one in which the interior of the home stays a
consistent, preset temperature.
I left
for Vermont without knowing much about how to keep myself warm; I brought
plenty of blankets, not knowing what to expect. I chose to go to college in
Vermont to escape the orange glow, hoping to make more sense of it from afar. A
good friend went to work after high school at a BP station, selling the
freshly-refined crude produced down the street, while I went off to college, where
I was relieved of most all duties of self-care, including having to provide
your own heat.
Institutional
heating systems built to withstand Vermont winters are themselves industrious
affairs: running hot water to dozens of buildings through underground
passageways unintentionally melted the snow from the sidewalks that led to our
dorms at Green Mountain College. We thought little of the heat, except when it
was simply too much for us to bear, which was often. Hot water flowed through pipes
in our rooms, radiating and providing easy explanation for the weird noises we
heard at night. The main boiler plant, which was fueled by oil, was located out
by the parking lot; when we opened windows for cool air on nights when the
system wasn’t regulating itself properly, we might as well have seen some of
the environmentally-detrimental orange glow I knew from back home, creeping
into the edges of the sparse Vermont sky.
I came
to know that system, its passageways and nuances well, as well as the
oil-burning centralized hot water systems of two other Vermont colleges,
through full-time, year-round positions in residence life. From this, I have had
the chance to see dorm rooms fully coated in ice, the result of windows left
open over vacations, and the resulting frozen and burst pipes; I’ve helped
relocate whole dorms full of people due to heating system failure, on the
coldest winter nights. I’ve seen systems so inefficient that the water in the
toilet is unnecessarily warm in winter—gross misuse of energy, the product of
unregulated “rate of flow.” Institutional heating isn’t intended to provide
those it warms with any sense of authenticity: while other purposes take
precedence to those individuals located there, heating systems become less of a
priority.
The
heat I can recall from campfires on Boy Scout weekends, however needless or
inefficient, may always be my favorite example of community being formed around
a source of heat itself: large-scale residential heating systems seek no such
community or shared virtue of staying warm. If systems function properly, the
act of staying warm may be accomplished alone, requiring individuals to not
leave their respective, assigned rooms.
Dormitories
share this characteristic, but little to no labor is involved—seldom are
individuals offered even access to a thermostat. My career has helped provide
me perspective on institutional warmth derived from oil, and my first few
apartments were the similar: one had a bathroom sink that had been dripping hot
water for so many years, that the unregulated “rate of flow” had worn away a
stripe of the ceramic finish, right down to the cast iron. Another rental, a
house I shared with three friends after college, had a woodstove, but my
roommates and I were too broke to pursue the tools to process the cords of fuel
necessary—and we didn’t know how anyway. We stayed warm, because we lived on
couches, beneath blankets, watching too much television; we bought tanks of oil
cash-on-delivery to kept the pipes and ourselves from freezing.
Heat
is a commodity, not always readily available; sometimes far more complicated of
a transaction with the non-human world is required to stay warm through winter
than merely adjusting a thermostat and paying a bill. While domestic and
private use of heating systems that rely on oil have helped create a culture
that may support a “rate of flow” (Kempton, p. 78) folk theory of heat (one
that employed my great-grandfather and grandfather alike), realities of keeping
warm have led me away from this notion. Efforts of energy efficiency—from
sealing up windows to wrapping pipes in insulating foam—may be seen not only as
efforts to hold in heat, but to fend off the cold.
Because
the cold will always take over, and win. My biggest learning about heat has
come from my current domicile: built in the 1930s as a hunting camp, I’ve
rented this structure for over four years from its owners, who purchased it for
a song in the 1990s, after it was relatively abandoned. While it’s been
improved a great deal, including a complete new roof and wood stove, the
lessons in keeping out the cold have been, for me, immense, the stakes no
higher.
Two
sources of heat at this cabin characterize Kempton’s opposing theories: a Vermont
Castings wood stove and a kerosene-fueled monitor heater with digital
thermostat. Over four years, I’ve learned to use the woodstove constantly and
the kerosene sparingly at best, not only for economic reasons, but for general
efficiency and localism. Most of my firewood comes from privately-owned
forests, whose owners process and deliver the split 18-inch sections
themselves: after initial investments in gas-powered log splitters and reliable
trucks, only their labor is required to turn a profit. The kerosene is
delivered by a local company, and in over four years, I’ve used less than 100 gallons;
according to its manual, the heater will consume one gallon over twenty-four
hours of steady use.
The
need for heat is never steady; the need to keep out the cold, and to keep the
pipes from freezing is what necessitates the kerosene monitor. Setting its
green digital thermostat to a desired “room” temperature, the warmth at the end
of a two-foot probe wire determines how and when the kerosene will be burned.
As an extra measure of efficiency, a special mode seeks to raise the air
temperature around the probe by ten degrees above the setting on the
thermostat. When I’m not home for
extended periods of time, however, the kerosene monitor has failed to heat the
house sufficiently—to the extent that the pipes would not freeze. Last winter’s
emergency repairs in this imperfect autonomous structure debunk Kempton’s “rate
of flow,” as the small, candle-like flame that eminates from within the kerosene
monitor system has rarely served to make this cabin inhabitable: the air around
the heater may reflect the desired temperature, but farther corners are less
warm, more susceptible to the ever-encroaching cold.
My
education regarding heating with wood has come almost entirely from my
experience living in this rented cabin. Over four winters, I’ve had three
different stoves, the first being a inappropriately small coal stove, and the
second was a mammoth Jotul stove, built to accommodate a structure three times
the size of this cabin. The last and current stove was installed recently, to
comply with insurance regulations. Each had its nuances, like any imperfect
mechanical device; regardless of these differences, each has utilized the same
renewable resource, one that remains in abundance in this region.
Thoreau,
in his journal, details the multitude of blessings he derives from his source
of fending off the cold: “I
deal so much with my fuel, — what with finding it, loading it, conveying it
home, sawing and splitting it, — get so many values out of it, am warmed in so
many ways by it, that the heat it will yield when in the stove is of a lower
temperature and a lesser value in my eyes, — though when I feel it I am
reminded of all my adventures. . . . “ (p. 30). Thoreau’s ability to develop a dynamic
relationship with the fuel that helps him fend off cold is rewarding to such an
extent that the actual temperature change of the room becomes less important. A
more authentic source of heat comes in Thoreau’s comprehension of the
interrogative details—mostly, his—and
the reward is inherent.
The
wood stove helps identify what ‘authenticity’ may be construed from a source of
keeping warm, far beyond Kempton’s theories of thermostat use in domestic
systems: all of the interrogative information regarding this source of heat is
available, including who, what, when,
where, and why. The dryness of the wood—how long it’s been since the trees
were fallen and the logs split—is critical, to avoid excessive creosote levels.
Where the wood came from dictates its makeup: maple, ash, birch. With the
delivery of each truckload comes a giant rushing motion, leaving behind an
avalanche of fuel to be quickly stacked, prompting a flurry of human activity
before any further weather hinders the stacking and proper storage of fuel.
My own dynamic relationship with my source of
heat flowered when I became responsible for the care of this autonomous
structure in central Vermont, one whose walls deserve new insulation, at least.
Prior to this valuable experience, I kept warm by relying on larger systems;
through the meditative process of stacking and making use of between three and
four cords each winter, I have come to understand my previous reliance upon and
assumptions regarding heating oil. Like Thoreau, I seek to obtain “many values
out of” my fuel, and seek to participate to whatever extent possible in the
production and renewal of these resources.
I have not, however, sought to fully embrace
my winter’s fuel: my chainsaw sits idle except on rare occasion, and my
splitting axe stays sharp and new. I have chosen to purchase my firewood from a
handful of local individuals, conserving my time for tasks I’m more likely to
accomplish. My ability to keep from freezing in winter is a skill, built first
upon a tradition of home heating oil.
Individuals
who seek to participate in one’s environment may discover unexpected benefits:
from the vagrant on the cover of Led Zeppelin’s fourth album, to my own frosty
and amateur experiences stacking firewood mid-winter, to the story my mother
told me: in a town not far from the one of my youth, a man argued with his
girlfriend about a lack of heat before building her a fire in the center of the
living room, catching the building on fire and nearly burning down the block.
Evacuated on a cold December night, those people entered into the street
beneath that pale orange glow in the sky, the reflection of the refineries’
seemingly-eternal flame, a constant visual reminder of larger industries’
presence. As I grew up, I learned about the source of that orange glow, and
sought to see it from afar; in that journey, I have come to understand, through
practical experience alone, the need for alternative fuel sources—and the
psychological and spiritual shifts that may take place if that refineries’
flame should ever go out.
Bibliography
“Album-Led Zeppelin-Led Zeppelin IV.” Retrieved from http://www.amiright.com/album-covers/images/album-Led-Zeppelin-Led-Zeppelin-IV.jpg
Garner, W. and Wiley, S. (1894). Biographical and Historical
Cyclopedia of Delaware County, Pennsylvania. Retrieved from: http://books.google.com/books?id=khQVAAAAYAAJ&ots=ctkDUbbmvL&dq=biographical%20and%20historical%20cyclopedia%20of%20delaware%20county%20pa&pg=PA250#v=onepage&q&f=false
Kempton, W. (1986). “Two Theories of Home Heat Control.” Cognitive Science. Retrieved from: http://csjarchive.cogsci.rpi.edu/1986v10/i01/p0075p0090/MAIN.PDF
Thoreau, H. (1906). The
Writings of Henry David Thoreau: Journal. B. Torrey, Ed. Retrieved from http://books.google.com/books?id=UvURAAAAYAAJ&pg=PA18#v=onepage&q&f=false
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